Artist Isabel Manalo creates mix media work that straddles issues of place, identity, geography, nature and post-colonial identity in the form of photography, collage, and paint. She has been awarded three consecutive fellowships (2008, 2009 and 2011) at the Virginia Center for the Creative Arts. In 2003, she was awarded the Juror’s Choice Award at the McLean Project for the Arts painting biennial, and was a semi-finalist for the Trawick Prize in both 2004 and 2008. She's been featured in two volumes of New American Painting (2004 and 2006).
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Momentary Glimpses of You, 2010, oil on board, 30 x 40 inches
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Native Species, 2011, Oil and Cut Photographs on Yupo, 33 x 28 inches
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Uncontrolled Growth, 2011, Oil and Cut Photographs on Yupo, 33 x 28 inches
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Moving On, 2010, Acrylic and Cut Photographs on Mylar, 16 x 20 inches
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Ravished, 2010, Acrylic and Cut Photographs on Yupo, 25 x 36 inches
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Little Feet Run Fast, 2009, oil on board, 48 x 48 inches
Artist Isabel Manalo creates mix media work that straddles issues of place, identity, geography, nature and post-colonial identity in the form of photography, collage, and paint. She has been awarded three consecutive fellowships (2008, 2009 and 2011) at the Virginia Center for the Creative Arts. In 2003, she was awarded the Juror’s Choice Award at the McLean Project for the Arts painting biennial, and was a semi-finalist for the Trawick Prize in both 2004 and 2008. She's been featured in two volumes of New American Painting (2004 and 2006).
Manalo’s work has been exhibited in such museums as the Corcoran Gallery of Art, The Katzen Art Museum, The Arlington Arts Center and The Creative Arts Alliance in Baltimore. Her work is in numerous collections both private and public including The National Academy of Sciences and several US Embassies. She received an MFA in Painting from Yale University, a BFA from the School of the Art Institute of Chicago and a BA from the University of Wisconsin at Madison.
Education
- MFA, Yale University, 1999
- BFA, Art Institute of Chicago, 1993
- BA, University of Wisconsin, Madison, 1990
Select Exhibitions
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2012
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March, Solo Exhibition, Addison Ripley Fine Art, Washington, DC
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2010
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January, Solo Exhibit Retrospective of work from 2006, 07, 08 and 09. Organized by Addison Ripley Fine Art at the German Marshall Fund, Washington D.C.
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March, In The Beginning, Premier Group Show, Chroma Projects Art Laboratory, Charlottesville, VA
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June, Fantastic Journeys. Group Show Curated by Beatrice Gralton, Assistant Curator of Contemporary Art, Corcoran Gallery of Art, McLean Project for the Arts, McLean, VA
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July, Departures and Arrivals: Investigating the Vocabulary of the Contemporary Landscape. Group Show Curated by Cara Ober, Towson Center for the Arts, Towson University, Towson, MD
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July, Periphery, Group Show Curated by Geoffrey Delanoy, Gormley Gallery College of Notre Dame, Baltimore, MD
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July, Bits and Pieces. Group Show Curated by Laura Ammussen, Silber Gallery, Goucher College, Baltimore, MD
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November, Catalyst, Celebrating Washington Project for the Arts 35th Anniversary. Curated by JW Mahoney, Katzen Arts Center at American University, Washington, DC
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2009
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September, Solo Show, Once, Upon, Addison Ripley Fine Art, Washington, DC
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January, If I Didn’t Care:Multi-Generational Artists Discuss Cultural Histories, Richman Gallery, Park School, Curated by Rick Delany, Baltimore, MD
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2008
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March, Solo Show, Togonon Gallery at Dae Advertising, San Francisco, CA.
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April, Ethnography of No Place, Rosenberg Gallery, Goucher College curated by Laura Amussen, Baltimore, MD.
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May, 22nd Annual Critic’s Residency Program, Maryland Arts Place, Baltimore, MD.
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December, Quasi-Painting, Randall Scott Gallery, Curated by Cara Ober, Washington, D.C.
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2007
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February, Los Angeles Art Show, Venice Beach, CA with Museum Works Galleries, Aspen, CO.
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February, Primed, Washington Project for the Arts Corcoran Annual Benefit Auction. Selected by Irene Hoffman of the Baltimore Museum of Contemporary Art. Corcoran Gallery of Art, Washington D.C.
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March, Group Show Curated by Carol Lukitsch of the Arlington Arts Center, Meyer Foundation, Washington, DC
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April, Saturated, Curated by Zoe Myers, Heineman Myers Contemporary, Bethesda, MD
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May, Believe It, Curated by Jordan Block, Creative Arts Alliance, Baltimore, MD
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August, Summer Introductions, Togonon Gallery, San Francisco, CA.
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November, You Catch More Flies With Honey, Carroll Square Gallery curated by Hemphill Gallery, Washington, DC.
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2006
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January, Mid-Atlantic New Painting, Curated by Jonathan Binstock, Ridderhof Martin Gallery at the University of Mary Washington, Fredericksburg, VA
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February, Wish You Were Here, Two person show with Jonathan Bucci, Vox Populi Gallery, Philadelphia, PA
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February, Faculty Show, American University Katzen Arts Center, Washington, D.C.
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May, Turning The Page Part III: Nature Constructed, an online show organized by the Washington Project for the Arts, Washington, D.C. www.wpaconline.org
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June, Space Domestic, Group show curated by Jiha Moon, McLean Project for the Arts, Mclean, VA
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September, DC/MD/VA Exchange, Group show curated by Gabriel Martinez, Creative Arts Alliance, Baltimore, MD.
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December, DC/MD/VA Exchange, Group show curated by Gabriel Martinez, Gallery 5, Richmond, VA.
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December, Fresh Paint, Group show curated by Carol Lukitsch, Arlington Arts Center, Arlington, VA.
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2005
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January, State of the Arts, Arlington Arts Center, Arlington, VA
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January, Groundwork, d.e.n. Contemporary Art, Los Angeles, CA
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April, Wish You Were Here, Two person show with Jonathan Bucci, Flashpoint Gallery, Washington, DC
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August, Natural Selection, Two person show, Solomon Fine Art, Seattle, WA
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October, WPAC Benefit, Curated by Erin Chase Mackay and Randall Mclean, Hickok Warner Cole Architectural Firm, Washington, DC
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November, Boundaries: Contemporary Landscapes, Group Show with Kerry Kesler, Jiha Moon and Christine Buckman Tilman. Curated by Jeff Rhodes, Union Gallery, College Park, MD
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2004
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February, National All Media Juried Show, Touchstone Gallery, WDC
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March, New Acquisitions of DC Artists, National Academy of Sciences Keck Center, WDC
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April, Group Show Gallery Artists, Nevin Kelly Gallery, WDC
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May, Anonymous, Flashpoint Gallery, WDC
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June, Art Romp, Warehouse Gallery, WDC
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June, Gallery Slye, WDC
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September, 5 x 5, Five works by Five DC artists, Nevin Kelly Gallery, WDC
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December, Art Romp, Warehouse Gallery, WDC
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Awards
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2011
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Residency at the Virgina Center for Creative Arts, Auvillar, France.
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2009
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Semi-Finalist, Bethesda Painting Award, Bethesda, MD
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2008
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Residency at the Virgina Center for Creative Arts, Mt. San Angelo, VA
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Semi-Finalist, Trawick Prize, Bethesda, MD
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2005
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Small Projects Grant, D.C. Commission on the Arts and Humanities
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2004
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Second Place, Sixth Annual All Media National Juried Show, Touchstone Gallery, WDC
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2003
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Semi-Finalist, Trawick Prize, Bethesda, MD
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Jurors Choice #1, Strictly Painting Biennial, Mclean Project for the Arts, Mclean, VA
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2002
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Small Projects Grant, D.C. Commission on the Arts and Humanities
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1999
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Grant Recipient, Liquitex Student Paint Prize
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1997
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Individual Grant, Puffin Foundation, Fulbright Recipient
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Bibliography
- One Hundred Washington D.C. Artists, Edited by Lenny Campello, Schiffer Publishing company. Featuring 100 key Washington D.C. artists.
- The Washington Post, "Collector Mera Rubell Makes the Rounds of Washington’s Isolated Artists", By Jessica Dawson, 2009.
- The Baltimore City Paper, "Road to Nowhere: Ceci N’est Pas une Carte", By Deborah McLeod. 2008.
- The Washington Post, "You Catch More Flies With Honey Worth a Visit", by Jessica Dawson, December, 2007.
- DCist, "You Catch More Flies With Honey", By Kelly Rand, 2007
- New American Paintings Mid-Atlantic Competition, Vol. 53, May 2006
- Los Angeles Times, "New Vistas in Landscape Painting", By David Pagel, February 2005.
- The Washington Post, "Art That Works", By Michael O’Sullivan, January 2005.
- Washington City Paper, "New Acquisitions of Works by DC Based Artists", by Louis Jacobson, September 2004.
- New American Paintings Mid-Atlantic Competition, Vol. 51, May, 2004
- The Washington Post, "New and Notables: National Academy of Art Acquisitions", June 2004
- DC One, "The Glory of Painting" By F. Lennox Campbello, June 2003
- The Washington Post, "Art in an Experimental Groove: Decatur Blue Gives the Flip Side of Mainstream, Some Extended Play" By Jessica Dawson. January, 2003
- The Washington Post, "Isabel Manalo’s Fine Lines of Distinction" By Jessica Dawson, September, 2002.
